BAD TOWN FOX MUFFLER MOVIE
I’m a little mad it won’t play on movie screens, but don’t let that keep you from watching it on your TV. It’s one of two movies Soderbergh shot amid the pandemic, during which he also led the Directors Guild of America in developing and implementing Covid-safe protocols for production. Soderbergh was slated to shoot the film in spring 2020 - we know how that went - and was able to pull it off in fall 2020 with almost the entire original cast, save for George Clooney (who dropped out over safety concerns for his young asthmatic son we don’t know which role he had been cast to play). I won’t spoil the twists, but it’s worth enjoying the movie on its purely pleasurable heist-movie surface before you dig into the background. Soderbergh developed the idea with screenwriter Ed Solomon (who wrote the Men in Black and Bill & Ted series, among others), and Solomon focused on getting the history of mid-century Detroit right.Ī note: If you haven’t yet watched No Sudden Move, now streaming on HBO Max, you should, probably before you read any further. So it is no huge surprise that No Sudden Move - a rippling, brilliant story about trusting nobody - has some seemingly banal but actually fascinating economic and cultural underpinnings pulsing in its historical backdrop. But you could argue a lot of his other movies are heists too the director is always making films about how money and capitalism find their way into every part of our lives, from politics and sex to sports and mental health care. Steven Soderbergh has made another heist movie, his sixth after Out of Sight (1998), the Oceans trilogy (2001, 2004, 2007), and Logan Lucky (2017). What is it? Who wants it? They have no idea, but they need the cash, so they don masks - only on the top half of their faces, a novel sight - and head out to do the job.īut the crooked path to a quick payday never goes smoothly, at least in the movies. Three small-time criminals in 1950s Detroit are hired by somebody to steal something.
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